{"title":"Records","description":"","products":[{"product_id":"13th-floor-elevators-13-of-the-best","title":"13th FLOOR ELEVATORS - 13 OF THE BEST","description":"\u003cdiv class=\"cropable crop\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp\u003eThe triumvirate of Roky Erickson, Tommy Hall and Stacy Sutherland had to feature.\u003c\/p\u003e\n\u003cp\u003eTranscendent slower songs (often) don’t feature full band performances – so, no Splash One. The song had to be a band original. So, no Baby Blue.\u003c\/p\u003e\n\u003cp\u003e13 unlucky for some.\u003c\/p\u003e\n\u003cp\u003eThis compilation launches a new phase in the 13th Floor Elevators catalogue and previews the forthcoming series THE QUEST FOR PURE SANITY: the release in optimal quality of all surviving source material for all of the band’s recordings.\u003c\/p\u003e\n\u003cp\u003e‘13 OF THE BEST’ has been mastered separately to vinyl, CD, digital and streaming for the best possible sound quality for each format.\u003c\/p\u003e\n\u003cp\u003eEach original source has been referenced to the earliest vinyl pressing and meticulously transferred at 96khz 24– bit resolution. Multitrack tapes of the original recording sessions have been newly mixed in strict accordance with the records as first released.\u003c\/p\u003e\n\u003cp\u003e‘You’re Gonna Miss Me’, the band’s seminal single, is presented here for the first time in true stereo. Taken from the original multitrack session tape, the song has been mixed to stereo in accordance with the iconic mono 45 as recorded and engineered by Walt Andrus.\u003c\/p\u003e\n\u003cp\u003e‘Slip Inside This House’ viewed by fans and critics alike as the Elevators’ masterpiece and one of the key psychedelic recordings of the era, is included on the LP as the edited mono single mix so the loudest possible cut can be achieved. The eight-minute stereo version is included on all other formats.\u003c\/p\u003e\n\u003cp\u003e‘Never Another’, ‘Dr Doom’ and ‘Livin’ On’ from the band’s final sessions have been newly mixed but without the overdubs added almost a year after recording. While the session tapes survive, the overdubs do not. ‘Livin’ On’ features Roky Erickson’s original superior vocal performance instead of the overdub used on the ‘BULL OF THE WOODS’ LP. What is uniquely presented here is 100% Elevators as mixed and intended for the LP. No embellishments!\u003c\/p\u003e\n\u003cp\u003e‘13 OF THE BEST’ is produced by 13th Floor Elevators official archivist and historian Paul Drummond who has also written sleeve notes with full track-by-track information. The author of ‘Eye Mind’ (2007) the exhaustive and definitive biography of the 13th Floor Elevators and ‘13th Floor Elevators: A Visual History’ (2020) Drummond has spent a lifetime documenting every aspect of Elevators history, amassing an unprecedented archive of original material and memorabilia in conjunction with the band members.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track-listing\"\u003e\n\u003ch3\u003eTrack Listing:\u003c\/h3\u003e\n\u003ch5\u003eDisc 1:\u003c\/h5\u003e\n\u003col\u003e\n\u003cli\u003eYou’re Gonna Miss Me - 13th Floor Elevators\u003c\/li\u003e\n\u003cli\u003eThrough the Rhythm - 13th Floor Elevators\u003c\/li\u003e\n\u003cli\u003eRoller Coaster - 13th Floor Elevators\u003c\/li\u003e\n\u003cli\u003eReverberation (Doubt) - 13th Floor Elevators\u003c\/li\u003e\n\u003cli\u003eKingdom of Heaven - 13th Floor Elevators\u003c\/li\u003e\n\u003cli\u003eI’ve Got Levitation - 13th Floor Elevators\u003c\/li\u003e\n\u003cli\u003eShe Lives (In A Time of Her Own) - 13th Floor Elevators\u003c\/li\u003e\n\u003cli\u003eSlip Inside This House - 13th Floor Elevators\u003c\/li\u003e\n\u003cli\u003eEarthquake - 13th Floor Elevators\u003c\/li\u003e\n\u003cli\u003eNever Another - 13th Floor Elevators\u003c\/li\u003e\n\u003cli\u003eDr Doom - 13th Floor Elevators\u003c\/li\u003e\n\u003cli\u003eLivin’ On - 13th Floor Elevators\u003c\/li\u003e\n\u003cli\u003eMay the Circle Remain - 13th Floor Elevators\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"VOLCANIC VINYL","offers":[{"title":"Default Title","offer_id":47295906545964,"sku":"","price":68.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0759\/3947\/9852\/files\/282320919.jpg?v=1698109916"},{"product_id":"aretha-franklin","title":"ARETHA FRANKLIN - I NEVER LOVED A MAN THE WAY I LOVED YOU","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHaving created her first recordings as a Gospel artist at the tender age of 14, Aretha\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFranklin\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewent on to become the most charted female artist in Billboard's history. Releasing a staggering 88 charted singles on Billboard, Aretha was the winner of 18 Grammy awards including 'Best Female R\u0026amp;B Vocal Performance', 'Best Soul Gospel Performance' and 'Best Rhythm \u0026amp; Blues Recording'. Having sold over 75 million records worldwide she is regarded as an American treasure, in 1987 becoming the first woman to be inducted in the Rock and Roll Hall of Fame. Released in 1967\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eI Never Loved a Man the Way I Love You\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewas Aretha's breakthrough studio album, including the first two of Aretha's 20 #! hit singles\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eI Never Loved a Man (The Way I Love You)\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand her signature song\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRespect\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRespect\u003c\/li\u003e\n\u003cli\u003eDrown In My Own Tears\u003c\/li\u003e\n\u003cli\u003eI Never Loved A Man [The Way I Love You]\u003c\/li\u003e\n\u003cli\u003eSoul Seranade\u003c\/li\u003e\n\u003cli\u003eDon't Let Me Lose This Dream\u003c\/li\u003e\n\u003cli\u003eBaby, Baby, Baby\u003c\/li\u003e\n\u003cli\u003eDr. Feelgood [Love Is Serious Business]\u003c\/li\u003e\n\u003cli\u003eGood Times\u003c\/li\u003e\n\u003cli\u003eDo Right Woman, Do Right Man\u003c\/li\u003e\n\u003cli\u003eSave Me\u003c\/li\u003e\n\u003cli\u003eA Change Is Gonna Come\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"VOLCANIC VINYL","offers":[{"title":"Default Title","offer_id":47296773423404,"sku":"","price":65.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0759\/3947\/9852\/files\/download-3.jpg?v=1698127518"},{"product_id":"on-the-wiress-of-our-nerves-add-n-to-x","title":"ADD N TO X - ON THE WIRESS OF OUR NERVES","description":"\u003cp\u003eIncredibly inspired electronic retro-futurists who were so ahead of their time that they eventually imploded. This is a classic album!\u003c\/p\u003e\n\u003cp\u003eIn the space of five short years (and as many albums) at the end of the 20th century Add N To X caused havoc with their unique retro-futurist electronic music. Add N To X’s musical intensity proved too much for the group who split up in 2002. Their album On The Wires of Our Nerves, complete with its classic cover image, recorded on Soul Jazz Records’ then new offshoot label Satellite Records, launched them into the spotlight and included two NME Singles of the Week ‘Black Regent’ and ‘King Wasp’. Over twenty years since it was first released and long out of print the album 'On The Wires of Our Nerves’ stands up one of the most forward-looking electronic albums of then and now.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Black Regent    \u003cbr\u003ePlanet Munich    \u003cbr\u003eNevermind    \u003cbr\u003eWe Are Add N To X    \u003cbr\u003eMurmur One    \u003cbr\u003eSound Of Accelerating Concrete    \u003cbr\u003eGentle Germans    \u003cbr\u003eKing Wasp    \u003cbr\u003eOrgy Of Bubastus    \u003cbr\u003eGrey Body, Green Gun    \u003cbr\u003eOn The Wires Of Our Nerves    \u003cbr\u003eHit Me    \u003cbr\u003eSir Ape\u003c\/p\u003e","brand":"VOLCANIC VINYL","offers":[{"title":"Default Title","offer_id":47329306378540,"sku":"","price":62.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0759\/3947\/9852\/files\/ONTHEWIRESSOFOURNERVES-ADDNTOX.jpg?v=1698535335"},{"product_id":"prophecy-albert-ayler","title":"ALBERT AYLER - PROPHECY","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe first of Albert Ayler's ESP recordings (but one of the last to be released) is this live session with bassist \u003c\/span\u003e\u003ca class=\"name-link\" href=\"https:\/\/www.allmusic.com\/artist\/gary-peacock-mn0000153503\"\u003eGary Peacock\u003c\/a\u003e\u003cspan\u003e and drummer \u003c\/span\u003e\u003ca class=\"name-link\" href=\"https:\/\/www.allmusic.com\/artist\/sunny-murray-mn0000590210\"\u003eSunny Murray\u003c\/a\u003e\u003cspan\u003e. The tenor is heard on the earliest versions of his most famous theme, \"Ghosts\" (two renditions are included), along with such melodies as \"Spirits,\" \"Wizard,\" and \"Prophecy.\" Ayler alternated the simple march-like themes with wild and very free improvisations which owe little if anything to the bop tradition, or even his contemporaries in the avant-garde. 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A chorus of chanters armed with hand claps and tambourines light into a Hindu Bhajan, accompanied by Alice Coltrane's whirling Wurlitzer organ as she lays down brooding bass notes with one hand, moves her feet across those pedals with authority, and plays glissandi synth with the other hand - immediate ecstasy. Then John Panduranga Henderson - who sang with Ray Charles - delivers a moaning, gospelized solo as Coltrane vamps on his blues. This isn't common Hare Krishna chanting, folks. This music is compiled from four privately pressed cassettes Turiya Sings [1982]; Divine Songs [1987]; Infinite Chants [1992], and Glorious Chants [1995]) that Coltrane distributed to members of the Sai Antaram Ashram (which she founded) between 1982 and 1995. Some were recorded in professional studios; all were engineered by Baker Bigsby - who oversaw the tape transfers here from the masters - and represent a startling chapter in her musical legacy. The music exists in the space where \"ecstatic\" meets \"heavy.\" Coltrane, known to her followers as Turiyasangitananda (\"the Transcendental Lord's highest song of bliss\"), brought all of her musical history to bear in these pieces, from her beginnings playing piano in the churches of Detroit and the hard bop she played there to Paris and New York, to the vanguard, which she embraced with openness and helped to redefine with a softer, more spacious approach.\u003cbr\u003eThe most amazing aspect of this music is what few have heard before: Coltrane's very deep and physical singing voice; her lead vocals are featured on most of the album, and it's another instrument she commands (though she wouldn't see it that way). On Om Shanti, she accompanies herself on organ using breath control in an airy, devoted chant. On Rama Rama, sarod, tablas, and her Oberheim synth add blissful dimensions to her quietly passionate singing. Keshavas Murahara commences with strings (her chart), Oberheim, and droning organ; her voice emerges as if from smoke, slowly intoning the prayer, dirge-like, but jazz informs her phrasing as the synth winds around her voice. The first half of Journey in Satchidananda features only her organ and Oberheim. It's droning, bluesy, and heavy -nearly Gothic. When the Ashram Singers come in and Joshua Spiegelman adds a flute, some light enters. Tamil singer Sairam Iyer solos in his own language, opening the heart of the chant and bringing it home. Harp makes its presence felt on \"Er Ra,\" where Coltrane's playing moves across Eastern and Western modes as her singing emerges in sweet, blues-inflected lines. Luaka Bop did everything right for The Ecstatic Music of Alice Coltrane Turyirasangitananda, from getting full participation from her family to create an amazing package with a great long essay by Ashley Khan, to reminiscences, to excellent sound. This is not just ecstatic music, but cosmic soul music. If you buy one archival recording this year, let this be it. ~ Thom Jurek\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e1. Om Rama\u003cbr\u003e2. Om Shanti\u003cbr\u003e3. Rama Rama\u003cbr\u003e4. Rama Guru\u003cbr\u003e5. Hari Narayan\u003cbr\u003e6. Journey to Satchidananda\u003cbr\u003e7. Er Ra\u003cbr\u003e8. 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While much critical and popular affection for Russell’s music has come about well after his untimely death from AIDS in 1992, many fellow artists believed in his genius and were drawn to collaborate with him during his lifetime. The legendary producer John Hammond (Billie Holiday, Bob Dylan, Bruce Springsteen) recorded Russell on several occasions; a number of these recordings can be heard on Love Is Overtaking Me. Alongside songs recorded with various incarnations of The Flying Hearts, a group formed by Russell with Ernie Brooks whose shifting line up included, by turns, Jerry Harrison, Rhys Chatham, Jon Gibson, Peter Gordon and Peter Zummo as well as Larry Saltzman and David Van Tieghem. Several other Russell projects are represented on Love Is Overtaking Me, including The Sailboats, Turbo Sporty and Bright \u0026amp; Early.\u003c\/p\u003e\n\u003cp\u003eCompiled from over eight hours of material, Love Is Overtaking Me reaches back further to Russell’s first compositions from the early `70s and spans forward to his very last recordings, made at home in 1991. Chris Taylor of Grizzly Bear contributed mixing, restoration and editing to the album, whose tracks were selected by Audika’s Steve Knutson, Ernie Brooks and Russell’s companion, Tom Lee. Several songs feature prominently in Matt Wolf’s film ‘Wild Combination: A Portrait of Arthur Russell’.\u003c\/p\u003e\n\u003cp\u003eExtensive Love Is Overtaking Me liner notes by Tom Lee provide an intimate perspective on Russell’s diverse catalogue, which spanned an extraordinary diversity of styles and won the love of artistic communities that would seem utterly disparate, from Philip Glass, John Cage and Allen Ginsberg to rock bands like The Talking Heads and The Modern Lovers; the pre-Studio 54 disco-party scene of Nicky Siano’s Gallery and David Mancuso’s Loft; and DJ-producers like Francois Kevorkian and Larry Levan, among others.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003c\/p\u003e\n\u003cp\u003eClose My Eyes \u003cbr\u003eGoodbye Old Paint\u003cbr\u003eMaybe She\u003cbr\u003eOh Fernanda Why\u003cbr\u003eTime Away\u003cbr\u003eNobody Wants A Lonely Heart\u003cbr\u003eI Couldn't Say It To Your Face\u003cbr\u003eThis Time Dad You're Wrong \u003cbr\u003eWhat It's Like\u003cbr\u003eEli\u003cbr\u003eHey! 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Featuring digi-dubs to Junior Delagado’s hits \u003cem\u003eRaggamuffin Year\u003c\/em\u003e and \u003cem\u003eCall Me,\u003c\/em\u003e steppers like \u003cem\u003eSun Ray Dub\u003c\/em\u003e and the deep and heavy \u003cem\u003eZion Seals Dub\u003c\/em\u003e the album continued Pablo's journey into a revolutionary new age. Recorded at HC\u0026amp;F, Creative Sound and Tuff Gong studios, engineered by Philip Smart and Michael Carroll, here's another great longplayer re-issued with the Greensleeves seal of quality.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003eTrack listing\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSide A\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1. Pablo Meets P Smart In L.I.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2. Progression Dub\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3. 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Much like their former labelmates Mogwai, they continue to top themselves even if they're no longer among the most fashionable vanguard of underground rock. This album, Bardo Pond's sixth proper full-length, manages to be more abstract than 2001's Dilate, but it's just as accessible as that album, emphasizing the beauty of Isobel Sollenberger's vocals and flutes, as well as the restrained power of the band's formidable guitars and rhythm section. On the Ellipse is a much moodier experience, however, with most of its six songs hovering on the edge of reflective sadness and something darker. The outstanding album opener \"JD\" is an instant career highlight. Beginning with a relentless drone that switches between harsh and beautiful as it unfurls, the song lures the listener with five minutes of gentle acoustic guitars and Sollenberger's dreamy, brooding singing before unleashing a quintessentially Bardo Pond onslaught of distortion and drums. It's true that this description applies to most of the album -- and, indeed, most of the band's catalog -- but Pond remains the master of finding different ways to use extreme dynamics. \"Dom's Lament\" subtly shifts from quiet to loud while exploring the textures of its silken flutes, craggy guitars, and the quietly crisp drumming that holds it all together. The radiant, vaguely Indian \"Test\" floats on dense clouds of guitars and distant but powerful drums, lending it a beautiful but somewhat apocalyptic feel. \"Every Man,\" a seven-minute epic, follows the more usual subdued brooding\/slow-burning noise formula of the band's work, but the spare loveliness of its quiet sections and the washes of flutes in its louder parts reaffirm that nobody does stoned melancholy better than Pond. While the last third of On the Ellipse isn't as strong as the rest of the album, the post-modern hippie atmospherics of \"Walking Clouds\" and the dense, dour \"Nights of Frogs\" -- which recalls the band's Lapsed-era work -- don't detract from its hypnotic pull. While this album isn't radically different from the rest of Pond's work, the fact that it offers more of their compelling, challenging music is reason enough to celebrate it.\u003c\/p\u003e\n\u003cp\u003eTrack listing\u003cbr\u003e\"J.D.\" – 7:24\u003cbr\u003e\"Every Man\" – 8:59\u003cbr\u003e\"Dom's Lament\" – 6:45\u003cbr\u003e\"Test\" – 9:51\u003cbr\u003e\"Walking Clouds\" – 7:12\u003cbr\u003e\"Night of Frogs\" – 12:56\u003c\/p\u003e","brand":"VOLCANIC VINYL","offers":[{"title":"Default Title","offer_id":47329537884460,"sku":"","price":60.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0759\/3947\/9852\/files\/ONTHEELLIPSE-BARDOPOND.jpg?v=1698538879"},{"product_id":"betty-davis-betty-davis","title":"BETTY DAVIS - BETTY DAVIS","description":"\u003cp\u003eOne can hardly imagine the genre-busting, culture-crossing musical magic of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eOutkast, Prince, Erykah Badu, Rick James, The Roots,\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eor even the early\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRed Hot Chili Peppers\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewithout the influence of R\u0026amp;B pioneer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBetty Davis.\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eHer style of raw and revelatory punk-funk defies any notions that women can't be visionaries in the worlds of rock and pop. In recent years, rappers from\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eIce Cube\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eto\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTalib Kweli\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eto\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLudacris\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ehave rhymed over her intensely strong but sensual music.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere is one testimonial about \u003cstrong\u003eBetty Davis\u003c\/strong\u003e that is universal: she was a woman ahead of her time. In our contemporary moment, this may not be as self-evident as it was thirty years ago - we live in an age that's been profoundly changed by flamboyant flaunting of female sexuality: from \u003cstrong\u003eParlet\u003c\/strong\u003e to \u003cstrong\u003eMadonna, Lil\u003c\/strong\u003e \u003cstrong\u003eKim\u003c\/strong\u003e to \u003cstrong\u003eKelis.\u003c\/strong\u003e Yet, back in 1973 when \u003cstrong\u003eBetty Davis\u003c\/strong\u003e first showed up in her silver go-go boots, dazzling smile and towering Afro, who could you possibly have compared her to? \u003cstrong\u003eMarva Whitney\u003c\/strong\u003e had the voice but not the independence. \u003cstrong\u003eLabelle\u003c\/strong\u003e wouldn't get sexy with their \u003cem\u003eLady Marmalade\u003c\/em\u003e for another year while \u003cstrong\u003eMillie Jackson\u003c\/strong\u003e wasn't \u003cem\u003eFeelin' Bitchy\u003c\/em\u003e until 1977. Even \u003cstrong\u003eTina Turner,\u003c\/strong\u003e the most obvious predecessor to \u003cstrong\u003eBetty's\u003c\/strong\u003e fierce style wasn't completely out of \u003cstrong\u003eIke's\u003c\/strong\u003e shadow until later in the decade. \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eMs. Davis's\u003c\/strong\u003e unique story, still sadly mostly unknown, is unlike any other in popular music. \u003cstrong\u003eBetty\u003c\/strong\u003e wrote the song \u003cem\u003eUptown\u003c\/em\u003e for\u003cstrong\u003e the Chambers Brothers\u003c\/strong\u003e before marrying \u003cstrong\u003eMiles Davis\u003c\/strong\u003e in the late '60s, influencing him with psychedelic rock, and introducing him to \u003cstrong\u003eJimi Hendrix\u003c\/strong\u003e - personally inspiring the classic album\u003cem\u003e\u003cstrong\u003e Bitches Brew. \u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003eBut her songwriting ability was way ahead of it's time as well. \u003cstrong\u003eBetty\u003c\/strong\u003e not only wrote every song she ever recorded and produced every album after her first, but the young woman penned the tunes that got \u003cstrong\u003eThe Commodores\u003c\/strong\u003e signed to Motown. The Detroit label soon came calling, pitching a Motown songwriting deal, which \u003cstrong\u003eBetty\u003c\/strong\u003e turned down. Motown wanted to own everything. Heading to the UK, \u003cstrong\u003eMarc Bolan\u003c\/strong\u003e of \u003cstrong\u003eT\u003c\/strong\u003e. \u003cstrong\u003eRex\u003c\/strong\u003e urged the creative dynamo to start writing for herself. A common thread throughout \u003cstrong\u003eBetty's\u003c\/strong\u003e career would be her unbending Do-It-Yourself ethic, which made her quickly turn down anyone who didn't fit with the vision. She would eventually say no to \u003cstrong\u003eEric Clapton\u003c\/strong\u003e as her album producer, seeing him as too banal.  In 1973, \u003cstrong\u003eDavis\u003c\/strong\u003e would finally kick off her cosmic career with an amazingly progressive hard funk and sweet soul self-titled debut. \u003cstrong\u003eDavis\u003c\/strong\u003e showcased her fiercely unique talent and features such gems as \u003cem\u003eIf I'm In Luck I Might Get Picked Up\u003c\/em\u003e and\u003cem\u003e Game Is My Middle Name.\u003c\/em\u003e The album \u003cem\u003e\u003cstrong\u003eBetty Davis\u003c\/strong\u003e \u003c\/em\u003ewas recorded with \u003cstrong\u003eSly \u0026amp; The Family Stone's\u003c\/strong\u003e rhythm section, sharply produced by \u003cstrong\u003eSly Stone\u003c\/strong\u003e drummer \u003cstrong\u003eGreg Errico,\u003c\/strong\u003e and featured backing vocals from \u003cstrong\u003eSylvester\u003c\/strong\u003e and the \u003cstrong\u003ePointer Sisters.\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1. If I'm in Luck I Might Get Picked Up\u003cbr\u003e\u003cspan class=\"aec-tracknum\"\u003e2.\u003c\/span\u003e Walkin Up the Road\u003cbr\u003e\u003cspan class=\"aec-tracknum\"\u003e3.\u003c\/span\u003e Anti Love Song\u003cbr\u003e\u003cspan class=\"aec-tracknum\"\u003e4.\u003c\/span\u003e Your Man My Man\u003cbr\u003e\u003cspan class=\"aec-tracknum\"\u003e5.\u003c\/span\u003e Ooh Yea\u003cbr\u003e\u003cspan class=\"aec-tracknum\"\u003e6.\u003c\/span\u003e Steppin in Her I. Miller Shoes\u003cbr\u003e\u003cspan class=\"aec-tracknum\"\u003e7.\u003c\/span\u003e Game Is My Middle Name\u003cbr\u003e8. In the Meantime\u003cbr\u003e\u003cspan class=\"aec-tracknum\"\u003e9.\u003c\/span\u003e Come Take Me (Digital Only Bonus Track)\u003cbr\u003e\u003cspan class=\"aec-tracknum\"\u003e10.\u003c\/span\u003e You Won't See Me in the Morning (Digital Only Bonus Track)\u003cbr\u003e\u003cspan class=\"aec-tracknum\"\u003e11.\u003c\/span\u003e I Will Take That Ride (Digital Only Bonus Track)\u003c\/p\u003e","brand":"VOLCANIC VINYL","offers":[{"title":"Default Title","offer_id":47329673773356,"sku":"","price":70.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0759\/3947\/9852\/files\/BETTYDAVIS-BETTYDAVIS.jpg?v=1698541223"},{"product_id":"pig-pile-big-black","title":"BIG BLACK - PIG PILE","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded live in London in 1987, during the last\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBig Black\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003etour,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003ePig Pile\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eopens in the band's typically charming manner with bassist\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDave Riley\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eannouncing \"this song is called 'dingy little back alley of a country',\" before the band launches into a punishing 46-minute set. The concert includes material from the band's first ep,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eLungs\u003c\/strong\u003e\u003c\/em\u003e, all the way up through 1987s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eSongs About Fucking\u003c\/strong\u003e\u003c\/em\u003e. The band's confrontational live sound emphasizes crackling, extremely harsh guitar and very brittle drums. In true punk rock style, the treble has been turned up as far as possible.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCables\u003c\/em\u003e - about slaughterhouses and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eJordan, Minnesota\u003c\/em\u003e - about a pedophilia scandal-both appear in radically sped-up versions.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKerosene\u003c\/em\u003e is introduced as \"a song\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJerry Lee Lewis\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewrote before he killed one of his wives,\" and\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSteve Albini's\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003evocals are nearly buried beneath heaped shards of guitar shrapnel in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSteelworker\u003c\/em\u003e. While there is no substitute for actually living through the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBig Black\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003elive experience,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ePig Pile\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- both on record and in its video form-documents one of the relatively few instances in history when music was actually dangerous.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eSide A\u003cbr\u003e\u003c\/strong\u003e1. Fists Of Love\u003cbr\u003e2. L Dopa\u003cbr\u003e3. Passing Complexion\u003cbr\u003e4. Dead Billy\u003cbr\u003e5. Cables\u003cbr\u003e6. Bad Penny\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eSide B\u003cbr\u003e\u003c\/strong\u003e1. Pavement Saw\u003cbr\u003e2. Kerosene\u003cbr\u003e3. Steelworker\u003cbr\u003e4. Pigeon Kill\u003cbr\u003e5. Fish Fry\u003cbr\u003e6. Jordan, Minnesota\u003c\/p\u003e","brand":"VOLCANIC VINYL","offers":[{"title":"Default Title","offer_id":47329844199724,"sku":"","price":50.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0759\/3947\/9852\/files\/PIGPILE-BIGBLACK.webp?v=1698545652"},{"product_id":"atomizer-big-black","title":"BIG BLACK - ATOMIZER","description":"\u003cp\u003e\u003cstrong\u003e\u003ci\u003eAtomizer\u003c\/i\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a wailing behemoth of assaultive Roland beats, Steve Albini and Santiago Durango's clanging and whirring guitars, and new member Dave Riley's lumberjack bass. Their musical invention went a couple steps further, most obviously on the warped-beyond-recognition guitars of 'Passing Complexion' and 'Kerosene.'\u003c\/p\u003e\n\u003cp\u003eThe latter is undeniably\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBig Black's\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ebrightest \/ bleakest moment, an epically roaming track that features an instantly memorable guitar intro, completely incapable of being accurately described by vocal imitation or physical gesture.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eJordan, Minnesota \u003cbr\u003ePassing Complexion \u003cbr\u003eBig Money\u003cbr\u003eKerosene \u003cbr\u003eBad Houses \u003cbr\u003eFists of Love \u003cbr\u003eStinking Drunk \u003cbr\u003eBazooka Joe \u003cbr\u003eStrange Things \u003cbr\u003eCables (Live)\u003c\/p\u003e","brand":"VOLCANIC VINYL","offers":[{"title":"Default Title","offer_id":47329852490028,"sku":"","price":64.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0759\/3947\/9852\/files\/ATOMIZER-BIGBLACK.jpg?v=1698545963"},{"product_id":"songs-about-fucking-big-black","title":"BIG BLACK - SONGS ABOUT FUCKING","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBig Black\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eled the alternative music revolution of \"Industrial\" from Chicago in the 1980s. The band's 1987 \"\u003cem\u003e\u003cstrong\u003eSongs About F*cking\u003c\/strong\u003e\u003c\/em\u003e\" hits hard with gritty rock 'n' roll. Holding nothing back,\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eBig Black\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ehad their greatest success with this album, as it laid the ground work for bands such as Nine Inch Nails and Ministry.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSteve Albini\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis the leading creative force behind\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBig Black\u003c\/strong\u003e, and he helped to navigate not just his band but the whole industrial movement. Includes songs such as\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e\"The Power of Independent Trucking,\" \"Fish Fry,\" \"He's a Whore,\" \"Kasimir S. 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Pulaski Day\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eFish Fry\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ePavement Saw\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eTiny, King of the Jews\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eBombastic Intro\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eHe's a Whore - Big Black, Nielsen, Rick\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"VOLCANIC VINYL","offers":[{"title":"Default Title","offer_id":47329855471916,"sku":"","price":56.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0759\/3947\/9852\/files\/SONGSABOUTFUCKING-BIGBLACK.jpg?v=1698546092"},{"product_id":"bikini-kill-bikini-kill","title":"BIKINI KILL - BIKINI KILL","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBikini Kill\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas a feminist punk band that was based in Olympia, WA and Washington, DC, forming in 1990 and breaking up in 1997.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBikini Kill\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis credited with instigating the Riot Grrrl movement in the early '90s via their political lyrics, zines, and confrontational live performances. 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Double Dare Ya\u003cbr\u003e\u003cspan class=\"aec-tracknum\"\u003e2.\u003c\/span\u003e Liar\u003cbr\u003e\u003cspan class=\"aec-tracknum\"\u003e3.\u003c\/span\u003e Carnival\u003cbr\u003e\u003cspan class=\"aec-tracknum\"\u003e4.\u003c\/span\u003e Suck My Left One\u003cbr\u003e\u003cspan class=\"aec-tracknum\"\u003e5.\u003c\/span\u003e Feels Blind\u003cbr\u003e\u003cspan class=\"aec-tracknum\"\u003e6.\u003c\/span\u003e Thurston Hearts the Who\u003c\/p\u003e","brand":"VOLCANIC VINYL","offers":[{"title":"Default Title","offer_id":47329856061740,"sku":"","price":55.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0759\/3947\/9852\/files\/BIKINIKILL-BIKINIKILL.webp?v=1698546136"},{"product_id":"apocalypse-bill-callahan","title":"BILL CALLAHAN - APOCALYPSE","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCallahan\u003c\/strong\u003e is back! Essentially an ensemble recorded live in the studio, \u003cstrong\u003eCallahan's\u003c\/strong\u003e \u003cem\u003e\u003cstrong\u003eApocalypse\u003c\/strong\u003e\u003c\/em\u003e is the corpus delecti. Something happened here! If tape is like meat, this record is the whole hog! \u003cstrong\u003eCallahan\u003c\/strong\u003e, riding on the back of his band, corrals them all \u0026amp; guides them single-handedly through the valley with love \u0026amp; ferocity. This record makes US wonder what has really happened in the last 100 years, \u0026amp; what will happen in the next 10. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDrover \u003c\/li\u003e\n\u003cli\u003eBaby's Breath \u003c\/li\u003e\n\u003cli\u003eAmerica! \u003c\/li\u003e\n\u003cli\u003eUniversal Applicant\u003c\/li\u003e\n\u003cli\u003eRiding for the Feeling \u003c\/li\u003e\n\u003cli\u003eFree's\u003c\/li\u003e\n\u003cli\u003eOne Fine Morning \u003c\/li\u003e\n\u003c\/ol\u003e","brand":"VOLCANIC VINYL","offers":[{"title":"Default Title","offer_id":47329857208620,"sku":"","price":50.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0759\/3947\/9852\/files\/APOCALYPSE-BILLCALLAHAN.jpg?v=1698546240"},{"product_id":"good-bad-not-evil-black-lips","title":"BLACK LIPS - GOOD BAD NOT EVIL","description":"\u003cdiv data-nosnippet=\"\" class=\"shopify-section headroom headroom--not-bottom headroom--not-top headroom--unpinned\" id=\"shopify-section-header\"\u003e\u003cheader class=\"site-header\"\u003e\n\u003cdiv class=\"_1x776yo9 _1x776yob _1x776yoc\"\u003e\n\u003cdiv id=\"desktop-cta\" class=\"_1x776yoe\"\u003e\n\u003cdiv class=\"_1x776yof\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\u003c\/div\u003e\n\u003cdiv id=\"PageContainer\" class=\"page-container\"\u003e\u003cmain role=\"main\" id=\"MainContent\" class=\"main-content product-page\"\u003e\n\u003cdiv id=\"pdp\"\u003e\n\u003cdiv id=\"pdp-layout-wrapper\" class=\"jss6\"\u003e\n\u003cdiv id=\"pdp-layout-inner\" class=\"jss7\"\u003e\n\u003cdiv id=\"pdp-left-panel\" class=\"jss11\"\u003e\n\u003cdiv id=\"pdp-accordion-content-wrapper\" class=\"jss101\"\u003e\n\u003cdiv class=\"_1bkzdz90\"\u003e\n\u003cdiv class=\"_1bkzdz92\" data-testid=\"pdp-accordion\" id=\"pdp-accordion\"\u003e\n\u003cdiv id=\"product-overview\" class=\"_1bkzdz93 Accordion_styles_accordionItem__iw66k76\" tabindex=\"0\"\u003e\n\u003cdiv class=\"_1bkzdz96 accordion-content Accordion_content__iw66k71 active\" aria-hidden=\"false\" tabindex=\"0\"\u003e\n\u003cdiv class=\"_1bkzdz98 _1bkzdz99\"\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cspan\u003eFull of hedonistic delinquent anthems, the fourth studio album from Atlanta punks Black Lips reaches its 15 year anniversary. This deluxe edition includes unearthed photos and new liner notes from Jared Swilley and King Khan. The second disc features B-sides and rarities including ‘Cruising’, ‘I Wanna Dance With You’ and ‘Leroy Faster’. ‘Good Bad Not Evil’ perfectly encapsulates the disillusionment of the mid-00s America, slammed between warehouse parties, DIY generator shows and scattered party pics, which was recorded in a little house in Atlanta that had been converted into a studio called the Living Room. Referencing Shangri-Las in the title, this is where their knack for garage gems met Motown; with bass heavy grooves (later remixed by Diplo), a certified country twang and unabashed bravado. Instant hits like ‘Veni Vidi Vici’, ‘Cold Hands’, ‘Bad Kids’ and ‘O Katrina!’ immediately became Black Lips staples. This was a band caught in the eye of the storm, the touring continued, the parties didn’t stop, this was a band bending the scuzzy boundaries of their chosen genre. Disc One – Good Bad Not Evil.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\nI Saw A Ghost (Lean)    2:51\u003cbr\u003eO Katrina!    2:51\u003cbr\u003eVeni Vidi Vici    2:26\u003cbr\u003eIt Feels Alright    2:47\u003cbr\u003eNavajo    2:39\u003cbr\u003eLock And Key    2:43\u003cbr\u003eHow Do You Tell A Child That Someone Has Died    2:28\u003cbr\u003eBad Kids    2:07\u003cbr\u003eStep Right Up    2:09\u003cbr\u003eCold Hands    2:24\u003cbr\u003eOff The Block    1:38\u003cbr\u003eSlime And Oxygen    2:41\u003cbr\u003eTranscendental Light\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/main\u003e\u003c\/div\u003e","brand":"VOLCANIC VINYL","offers":[{"title":"Default Title","offer_id":47329858584876,"sku":"","price":65.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0759\/3947\/9852\/files\/GOODBADNOTEVIL-BLACKLIPS.jpg?v=1698546330"},{"product_id":"sit-down-for-dinner-blonde-redhead","title":"BLONDE REDHEAD - SIT DOWN FOR DINNER","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eBlonde Redhead\u003c\/strong\u003e\u003cspan\u003e return with ‘\u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eSit Down for Dinner\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e,’ their first album in nine years and debut for section1. Its title a nod to the often-sacred communal ritual of sharing a meal with those you love, this immersive, meticulously crafted album appropriately serves an expression of persistent togetherness, a testament to the unique internal logic Blonde Redhead have refined over their three-decade existence.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUnderstated yet visceral melodies charge each song, creating a foil to lyrics about the inescapable struggles of adulthood: communication breakdown in enduring relationships, wondering which way to turn, holding onto your dreams. Ultimately, ‘\u003cem\u003e\u003cstrong\u003eSit Down for Dinner\u003c\/strong\u003e\u003c\/em\u003e’ lands as perhaps the strongest record in catalog that’s already as illustrious as it is varied.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSnowman \u003c\/li\u003e\n\u003cli\u003eKiss Her Kiss Her\u003c\/li\u003e\n\u003cli\u003eNot for Me\u003c\/li\u003e\n\u003cli\u003eMelody Experiment\u003c\/li\u003e\n\u003cli\u003eRest of Her Life\u003c\/li\u003e\n\u003cli\u003eSit Down for Dinner (Part 1)\u003c\/li\u003e\n\u003cli\u003eSit Down for Dinner (Part 2)\u003c\/li\u003e\n\u003cli\u003eI Thought You Should Know\u003c\/li\u003e\n\u003cli\u003eBefore\u003c\/li\u003e\n\u003cli\u003eIf\u003c\/li\u003e\n\u003cli\u003eVia Savona\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"VOLCANIC VINYL","offers":[{"title":"Default Title","offer_id":47329886896428,"sku":"","price":52.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0759\/3947\/9852\/files\/BLONDEREDHEAD-SITDOWNFORDINNER.webp?v=1698547707"},{"product_id":"see-jungle-see-jungle-go-join-your-gang-yeah-city-all-over-go-ape-crazy-bow-wow-wow","title":"BOW WOW WOW - SEE JUNGLE! 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The album's antecedents are clear, the gloomy post-punk Brit bands whose angst shuddered out across the airwaves in the late '70s through the early '80s. 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It's fun to play with people who bring in new styles and ideas, \" says \u003cb data-mce-fragment=\"1\"\u003eMartsch\u003c\/b\u003e. \"And it's nice to be in a band with people who aren't sick of me yet.\" Following several albums and EPs on Pacific Northwest independent labels, including the indie-rock classic, \u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThere's Nothing Wrong With Love\u003c\/i\u003e\u003c\/b\u003e, released on Sub Pop offshoot Up Records in 1994, \u003cb data-mce-fragment=\"1\"\u003eMartsch\u003c\/b\u003e signed with Warner Brothers from 1995 to 2016. He and his rotating cast of cohorts recorded six more great albums during that time - \u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003ePerfect From Now On, Keep It Like a Secret, Ancient Melodies of the Future, You In Reverse, Untethered Moon, There Is No Enemy\u003c\/i\u003e\u003c\/b\u003e. There was also a live album, and a solo record, \u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eNow You Know\u003c\/i\u003e\u003c\/b\u003e. While the band's impeccable recorded catalog is the entry point, Built to Spill live is an essential force of it's own: heavy, psychedelic, melodic, and visceral tunes blaring from amps that sound as if they're powered by Mack trucks. Now in 2022, Built to Spill returns with When the Wind Forgets Your Name, \u003cb data-mce-fragment=\"1\"\u003eMartsch's\u003c\/b\u003e unbelievably great new album (and his eighth full-length)... with a fresh new label. \"I'm psyched: I've wanted to be on Sub Pop since I was a teenager. And I think I'm the first fifty year-old they've ever signed.\" (The rumors are true, we love quinquagenarians...).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTracklist\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p2\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003e1. Gonna Lose\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003e2. Fool's Gold\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003e3. Understood\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003e4. Elements\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003e5. Rock Steady\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003e6. Spiderweb\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003e7. Never Alright\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003e8. Alright\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003e9. Comes a Day\u003c\/span\u003e\u003c\/p\u003e","brand":"VOLCANIC VINYL","offers":[{"title":"Default Title","offer_id":47329891778860,"sku":"","price":55.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0759\/3947\/9852\/files\/WHENTHEWINDFORGETSYOURNAME-BUILTTOSPILL.webp?v=1698548310"},{"product_id":"creation-of-dub-bunny-lee","title":"BUNNY LEE - CREATION OF DUB","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eCreation Of Dub\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecollects 14 prime early dub productions featuring riddims selected by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBunny\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLee\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand mixed at Dynamic Sounds by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKing\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTubby\u003c\/strong\u003e.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eCreation Of Dub\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSwinging Dub\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTen Thousand Tons Of Dub \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eJamaican Roots Dub\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA Pressuring Dub\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAn Inspiring Dub\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThis Boss Of Dub \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA Good Good Dub\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDub This Sound\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA Hard Hard Dub\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRub This Dub\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSkanking Dub \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDon’t Cut Off Your Dub Locks\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGive Me Dub\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"VOLCANIC VINYL","offers":[{"title":"Default Title","offer_id":47329932968236,"sku":"","price":52.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0759\/3947\/9852\/files\/CREATIONOFDUB-BUNNYLEE.jpg?v=1698550498"},{"product_id":"street-halo-ep-burial","title":"BURIAL - STREET HALO EP","description":"\u003cp\u003eBurial's fifth Hyperdub 12\" was issued two weeks after \"Ego\"\/\"Mirror,\" the producer's collaboration with Four Tet and Thom Yorke. 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The EP was eventually issued on CD, paired with the following three-track Kindred.\u003c\/p\u003e\n\u003cp\u003e1\u003c\/p\u003e\n\u003cp\u003eStreet Halo\u003cbr\u003e\u003cbr\u003e2\u003cbr\u003eNYC\u003cbr\u003e\u003cbr\u003e3\u003cbr\u003eStolen Dog\u003c\/p\u003e","brand":"VOLCANIC VINYL","offers":[{"title":"Default Title","offer_id":47329934770476,"sku":"","price":38.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0759\/3947\/9852\/files\/STREETHALOEP-BURIAL.jpg?v=1698550572"},{"product_id":"untrue-burial","title":"BURIAL - UNTRUE 2LP","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUntrue is the second studio album by British electronic music producer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBurial\u003c\/strong\u003e. Released on 5 November 2007 by Hyperdub, the album was produced by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBurial\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efrom 2006 to 2007 using the digital audio editing software Sound Forge.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eArchangel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eNear Dark\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eHomeless \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eShell of Light\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eRaver\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eEtched Headplate\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eUntrue\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eUK\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eEndorphin\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"VOLCANIC VINYL","offers":[{"title":"Default Title","offer_id":47329938342188,"sku":"","price":76.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0759\/3947\/9852\/files\/UNTRUE-BURIAL.jpg?v=1698550779"},{"product_id":"antidawn-burial","title":"BURIAL - ANTIDAWN","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eA\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e\u003cem\u003entidawn\u003c\/em\u003e \u003c\/strong\u003ereduces\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBurial’s\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003emusic to just the vapours. The record explores an interzone between dislocated, patchwork songwriting and eerie, open-world game-space ambience. In the resulting no man’s land, lyrics take precedence over song, lonely phrases colour the haze, a stark and fragmented structure makes time slow down.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eAntidawn\u003c\/strong\u003e\u003c\/em\u003e seems to tell a story of a wintertime city, and something beckoning you to follow it into the night. The result is both comforting and disturbing, producing a quiet and uncanny glow against the cold. Sometimes, as it enters 'a bad place', it takes your breath away. And time just stops.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eStrange Neighbourhood\u003c\/li\u003e\n\u003cli\u003eAntidawn\u003c\/li\u003e\n\u003cli\u003e Shadow Paradise\u003c\/li\u003e\n\u003cli\u003eNew Love\u003c\/li\u003e\n\u003cli\u003eUpstairs Flat\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"VOLCANIC VINYL","offers":[{"title":"Default Title","offer_id":47329938538796,"sku":"","price":50.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0759\/3947\/9852\/files\/ANTIDAWN-BURIAL.webp?v=1698550824"},{"product_id":"the-black-light-calexico","title":"CALEXICO - THE BLACK LIGHT","description":"\u003cp\u003e\u003cspan\u003e What was surprising about \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eThe Black Light\u003c\/i\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003e(and what set its architects apart from their indie rock peers) was the album’s unusual willingness to wade into the rapids of American and Mexican culture, fully immersing itself midstream. From the outset, with \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eGypsy’s Curse\u003c\/i\u003e\u003c\/strong\u003e\u003cspan\u003e, the record combines guitar twang and flamenco flourishes; and by its end, almost an hour later, it’s contrived a skillful and instinctive union of smoky bar room jazz, arthouse indie rock, and compelling mariachi brass in \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eFrontera\u003c\/i\u003e\u003c\/strong\u003e\u003cspan\u003e. If \u003cstrong\u003eCalexico\u003c\/strong\u003e falls short as a name, it’s only in the fact that - alongside their mining of Mexico’s fertile musical past - \u003cstrong\u003eJoey Burns\u003c\/strong\u003e and \u003cstrong\u003eJohn Convertino\u003c\/strong\u003e weren’t just digging into California’s songbook. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 Gypsy's Curse\u003cbr\u003e2 Fake Fur\u003cbr\u003e3 The Ride (Pt II) \u003cbr\u003e4 Where Water Flows \u003cbr\u003e5 The Black Light \u003cbr\u003e6 Sideshow\u003cbr\u003e7 Chach\u003cbr\u003e8 Missing \u003cbr\u003e9 Minas De Cobre (For Better Metal) \u003cbr\u003e10 Over Your Shoulder \u003cbr\u003e11 Vinegaroon \u003cbr\u003e12 Trigger \u003cbr\u003e13 Sprawl \u003cbr\u003e14 Stray\u003cbr\u003e15 Old Man Waltz \u003cbr\u003e16 Bloodflow \u003cbr\u003e17 Frontera\u003c\/p\u003e","brand":"VOLCANIC VINYL","offers":[{"title":"Default Title","offer_id":47329950761260,"sku":"","price":63.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0759\/3947\/9852\/files\/THEBLACKLIGHT-CALEXICO.jpg?v=1698551180"},{"product_id":"invasion-of-privacy-cardi-b","title":"CARDI B - INVASION OF PRIVACY","description":"\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e\u003cspan\u003eLimited clear vinyl pressing for the 5th anniversary of Invasion of Privacy and the 75th anniversary of Atlantic Records.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis record-breaking album was heralded by surprise releases, \"\u003cem\u003eBe Careful\u003c\/em\u003e\" and \"\u003cem\u003eDrip (feat.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMigo\u003c\/strong\u003es.\u003c\/em\u003e)\" The album also features a blockbuster line up of appearances including\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eChance The Rapper\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSZA\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMigos\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKehlani\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBad Bunny\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJ Balvin\u003c\/strong\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eYG\u003c\/strong\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e\u003cstrong\u003eCardi B\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis the new American Dream. 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The Bronx-born MC parlayed a stripping residency into a social media empire before landing on reality TV, where she soaked up the spotlight as an aspiring artist making the most of her face time.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eOn her assured and outspoken debut,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCardi\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eshuffles from pop-rap to designer trap to sing-song ballads and strutting promenades.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCardi’s\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003erants can be as biting as they are mesmerizing, as much an invasion of your space as they are an immersion into her world.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting \u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGet Up 10\u003c\/li\u003e\n\u003cli\u003eDrip (feat. Migos)\u003c\/li\u003e\n\u003cli\u003eBickenhead\u003c\/li\u003e\n\u003cli\u003eBodak Yellow\u003c\/li\u003e\n\u003cli\u003eBe Careful\u003c\/li\u003e\n\u003cli\u003eBest Life (feat. Chance the Rapper)\u003c\/li\u003e\n\u003cli\u003eI Like It\u003c\/li\u003e\n\u003cli\u003eRing (feat. Kehlani)\u003c\/li\u003e\n\u003cli\u003eMoney Bag\u003c\/li\u003e\n\u003cli\u003eBartier Cardi (feat. 21 Savage)\u003c\/li\u003e\n\u003cli\u003eShe Bad\u003c\/li\u003e\n\u003cli\u003eThru Your Phone\u003c\/li\u003e\n\u003cli\u003eI Do (feat. SZA)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"VOLCANIC VINYL","offers":[{"title":"Default Title","offer_id":47329952760108,"sku":"","price":90.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0759\/3947\/9852\/files\/INVASIONOFPRIVACY-CARDIB.png?v=1698551274"},{"product_id":"cyrk-cyrk-2-cate-le-bon","title":"CATE LE BON - CYRK \u0026 CYRK 2","description":"\u003cp\u003eThere are small musical touches throughout\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eCyrk\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewhich make it distinctive from the work of any other singer-songwriter, colouring the record with splashes of ingenious eccentricity and psych-pop flourishes.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eCyrk II\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis gentler and dreamier, a pleasant blend that gives way to soothing harmonies with less of the eccentricities that\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLe Bon\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ehas become known for. 2022 marks 10 years of the release of both\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCyrk\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eCyrk II.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eCryk\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCate Le Bon’s\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003esecond album,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eCyrk,\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewas released to widespread acclaim in 2012 and saw the Welsh singer\/songwriter play live across the world, including being invited by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSt Vincent\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eto tour the United States. There are small musical touches throughout\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eCyrk\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewhich make it distinctive from the work of any other singer-songwriter, colouring the record with splashes of ingenious eccentricity and psych-pop flourishes.\u003c\/p\u003e\n\u003cp\u003e“A songwriter this unique and talented shouldn’t be standing in anyone’s shadow.” Pitchfork\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e“Cyrk\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a curious musical brew that blends Velvet Underground-style shaggy jangles with a kind of bucolic psych-folk sound” BBC Music\u003c\/p\u003e\n\u003cp\u003e“One of the most characterful voices of recent times” MOJO\u003c\/p\u003e\n\u003cp\u003e“A common thread can be found in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eCyrk,\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCate’s\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003esecond album: the application of a sincere pop-song sensibility, and a yen for the surreal that sidesteps the zany.” NME\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eCryk II\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eCryk II\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a collection of the 5 tracks that didn’t make it onto the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eCyrk\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e, the rationale being that they’re distinctively different from those on the parent LP.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eCyrk II\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis gentler and dreamier, a pleasant blend that gives way to soothing harmonies with less of the eccentricities that Le Bon has become known for.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Falcon Eyed\u003cbr\u003e2. Puts Me To Work\u003cbr\u003e3. Cyrk\u003cbr\u003e4. Julia\u003cbr\u003e5. Greta\u003cbr\u003e6. Fold The Cloth\u003cbr\u003e7. The Man I Wanted\u003cbr\u003e8. Through The Mill\u003cbr\u003e9. Ploughing Out, Pt. 1\u003cbr\u003e10. Ploughing Out, Pt. 2\u003cbr\u003e11. What Is Worse\u003cbr\u003e12. The Eiggy Sea\u003cbr\u003e13. That Moon\u003cbr\u003e14. Seaside, Low Tide\u003cbr\u003e15. January\u003c\/p\u003e","brand":"VOLCANIC VINYL","offers":[{"title":"Default Title","offer_id":47329959280940,"sku":"","price":70.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0759\/3947\/9852\/files\/CYRK_CYRK2-CATELEBON.webp?v=1698551401"},{"product_id":"red-exposure-chrome","title":"CHROME - RED EXPOSURE","description":"\u003cp\u003eThe classic 1980 album:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eRed Exposure\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby the uncompromising\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eChrome.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eArguably considered the San Francisco bands greatest work,\u003cem\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eRed Exposure\u003c\/strong\u003e\u003c\/em\u003e, the fourth album to feature core members\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDamon\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eEdge\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eHelios Creed,\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas the definitive version of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eChrome’s\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eidiosyncratic approach to sound: a projected vision of near future dystopia via an undefinable guise of experimental space rock and punk-tinged alien soundscapes. Here, the band simultaneously draw from the otherworldly noises of their past records, whilst pushing their synthesisers forward into, albeit oblique, pop song structures.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEdge’s\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003evocals are structured more like an instrument than a voice, lyrics painting images of humanities future on the edge of total destruction. As\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCreed’s\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eguitar work multilayers it’s way into a completely different aural spectrum, beautiful yet violent, slashing against rhythmic pulsations, loops and experimentations, to create a sound that even today feels beyond the here and now. This distillation of the bands repertoire seemed to envision a deconstruction of rock ‘n’ roll, aimed to break past the shell of cliché that it would of course eventually come to inhabit. Which is why despite it’s age\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eRed Exposure\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eremains a record that still sounds like the sonic product of a far off civilisation, making this disk of new wave nihilism vital for fans of Space rock, Krautrock,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eThrobbing Gristle, Cabaret Voltaire\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eSuicide.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. New Age\u003cbr\u003e2. Rm. 101\u003cbr\u003e3. Eyes On Mars \u003cbr\u003e4. Jonestown \u003cbr\u003e5. Animal \u003cbr\u003e6. Static Gravity \u003cbr\u003e7. Eyes In The Center \u003cbr\u003e8. Electric Chair \u003cbr\u003e9. Night Of The Earth\u003cbr\u003e10. Isolation \u003c\/p\u003e","brand":"VOLCANIC VINYL","offers":[{"title":"Default Title","offer_id":47329961378092,"sku":"","price":90.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0759\/3947\/9852\/files\/REDEXPOSURE-CHROME.jpg?v=1698551659"},{"product_id":"theme-from-the-gay-mans-guide-to-safe-sex-coil","title":"COIL - THE GAY MAN'S GUIDE TO SAFER SEX","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMusique Pour La Danse\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis proud to present\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCoil's\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eunreleased soundtrack for the VHS only, pre-internet, sexual education documentary entitled \"\u003cem\u003e\u003cstrong\u003eThe Gay Man's Guide To Safer Sex\u003c\/strong\u003e\u003c\/em\u003e\" released in 1992. Members for this project are\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJohn Balance, Peter \"Sleazy\" Christopherson\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDanny Hyde\u003c\/strong\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe OST, to quote\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJohn Balance's\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003einterview for Compulsion Online, \"\u003cem\u003eis [a] slightly new agey, progressive house type thing\". \u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother way to approach it is as a delightful collection of balearic beats, smoking jazz not far removed from\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBadalamenti's\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ework with\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDavid Lynch\u003c\/strong\u003e, somewhat of an ambient house album for your home listening and early morning sunrise dances,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCoil\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003estyle.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTaken from the original masters provided by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDanny Hyde\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003e\"The Gay Man's Guide To Safer Sex\"\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efeatures a new sexy edit of the main theme. Bonuses  \u003cem\u003e\"Nasa-Arab\"\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\"Omlagus Garfungiloops\"\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eare taken from the 1992 CD only\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\"Stolen And Contaminated Songs\"\u003c\/em\u003e, both being original versions of the radically reworked (for the OST)\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\"Nasa-Arab 2\"\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\"Exploding Frogs\"\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ein order to balance the whole album and extend the listening pleasure\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan class=\"bcTruncateMore\"\u003eAlternative Theme From Gay Man's Guide To Safer Sex\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"bcTruncateMore\"\u003eExploding Frogs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"bcTruncateMore\"\u003eNasa-Arab 2\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"bcTruncateMore\"\u003eNasa-Arab\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"bcTruncateMore\"\u003eOmlagus Garfungiloops\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"bcTruncateMore\"\u003eTheme From Gay Man's Guide To Safer Sex\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"VOLCANIC VINYL","offers":[{"title":"Default Title","offer_id":47329961640236,"sku":"","price":45.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0759\/3947\/9852\/files\/THEMEFROMTHEGAYMAN_SGUIDETOSAFESEX-COIL.jpg?v=1698551754"},{"product_id":"two-sevens-clash-culture","title":"CULTURE - TWO SEVENS CLASH","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTwo Sevens Clash,\" became a massive hit in reggae circles both in Jamaica and abroad The prophecies noted by the lyrics so profoundly captured the imagination of the people that on July 7, 1977-- the day when sevens fully\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eclashed (seventh day, seventh month, seventy-seventh year) a hush descended on Kingston; many people did not go outdoors, shops were closed, an air of foreboding and expectation permeated the city. The song opens with a wailing, harmonized chorus. Culture was singing a new kind of hymn with soaring melodies, prophetic lyrics relating great historical events to present complex, driving rhythms which made the hymns danceable, and wonderfully subtle arrangements which remade the timeless simplicity of the hymn-like melodies into sophisticated\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estatements. Two Sevens Clash, Culture's first LP, set a new standard for reggae music-- indeed for pop music all over the world. Culture went on to record a series of outstanding albums, remarkable in their consistency, but Two Sevens Clash remains their masterpiece-- an inspired work of enduring power.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"track-listing\"\u003e\n\u003ctable class=\"tracklist\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" id=\"track1\"\u003e1.\u003c\/th\u003e\n\u003ctd\u003e\"Calling Rasta Far I\"\u003c\/td\u003e\n\u003ctd class=\"tracklist-length\"\u003e2:30\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" id=\"track2\"\u003e2.\u003c\/th\u003e\n\u003ctd\u003e\"I'm Alone in the Wilderness\"\u003c\/td\u003e\n\u003ctd class=\"tracklist-length\"\u003e3:25\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" id=\"track3\"\u003e3.\u003c\/th\u003e\n\u003ctd\u003e\"Pirate Days\"\u003c\/td\u003e\n\u003ctd class=\"tracklist-length\"\u003e2:52\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" id=\"track4\"\u003e4.\u003c\/th\u003e\n\u003ctd\u003e\"Two Sevens Clash\"\u003c\/td\u003e\n\u003ctd class=\"tracklist-length\"\u003e3:30\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" id=\"track5\"\u003e5.\u003c\/th\u003e\n\u003ctd\u003e\"I'm Not Ashamed\"\u003c\/td\u003e\n\u003ctd class=\"tracklist-length\"\u003e3:59\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track-listing\"\u003e\n\u003ctable class=\"tracklist\"\u003e\n\u003ccaption\u003eSide two\u003c\/caption\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"tracklist-number-header\"\u003e\u003cabbr title=\"Number\"\u003eNo.\u003c\/abbr\u003e\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eTitle\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"tracklist-length-header\"\u003eLength\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" id=\"track6\"\u003e6.\u003c\/th\u003e\n\u003ctd\u003e\"Get Ready to Ride the Lion to Zion\"\u003c\/td\u003e\n\u003ctd class=\"tracklist-length\"\u003e3:27\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" id=\"track7\"\u003e7.\u003c\/th\u003e\n\u003ctd\u003e\"Black Starliner Must Come\"\u003c\/td\u003e\n\u003ctd class=\"tracklist-length\"\u003e2:42\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" id=\"track8\"\u003e8.\u003c\/th\u003e\n\u003ctd\u003e\"Jah Pretty Face\"\u003c\/td\u003e\n\u003ctd class=\"tracklist-length\"\u003e3:39\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" id=\"track9\"\u003e9.\u003c\/th\u003e\n\u003ctd\u003e\"See Them a Come\"\u003c\/td\u003e\n\u003ctd class=\"tracklist-length\"\u003e3:24\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\" id=\"track10\"\u003e10.\u003c\/th\u003e\n\u003ctd\u003e\"Natty Dread Taking Over\"\u003c\/td\u003e\n\u003ctd class=\"tracklist-length\"\u003e3:46\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"VOLCANIC VINYL","offers":[{"title":"Default Title","offer_id":47329962983724,"sku":"","price":61.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0759\/3947\/9852\/files\/TWOSEVENSCLASH-CULTURE.jpg?v=1698551871"},{"product_id":"cypress-hill-cypress-hill","title":"CYPRESS HILL - CYPRESS HILL","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCypress Hill\u003c\/strong\u003e\u003cspan\u003e's eponymous debut album which revolutionized hip-hop in several respects. Although they weren't the first Latino rappers, nor the first to mix Spanish and English, they were the first to achieve a substantial following, thanks to their highly distinctive sound. Along with \u003c\/span\u003e\u003cstrong\u003eBeastie Boys\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003ePublic Enemy\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003eCypress Hill\u003c\/strong\u003e\u003cspan\u003e were also one of the first rap groups to bridge the gap with fans of both hard rock and alternative rock. And, most importantly, they created a sonic blueprint that would become one of the most widely copied in hip-hop. In keeping with their pro marijuana stance, \u003c\/span\u003e\u003cstrong\u003eCypress Hill\u003c\/strong\u003e\u003cspan\u003e intentionally crafted their music to sound stoned — lots of slow, lazy beats, fat bass, weird noises, and creepily distant-sounding samples.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e1 Pigs\u003c\/div\u003e\n\u003cdiv\u003e2 How I Could Just Kill a Man\u003c\/div\u003e\n\u003cdiv\u003e3 Hand on the Pump\u003c\/div\u003e\n\u003cdiv\u003e4 Hole in the Head\u003c\/div\u003e\n\u003cdiv\u003e5 Ultraviolet Dreams\u003c\/div\u003e\n\u003cdiv\u003e6 Light Another\u003c\/div\u003e\n\u003cdiv\u003e7 The Phuncky Feel One\u003c\/div\u003e\n\u003cdiv\u003e8 Break It Up\u003c\/div\u003e\n\u003cdiv\u003e9 Real Estate\u003c\/div\u003e\n\u003cdiv\u003e10 Stoned Is the Way of the Walk\u003c\/div\u003e\n\u003cdiv\u003e11 Psycobetabuckdown\u003c\/div\u003e\n\u003cdiv\u003e12 Something for the Blunted\u003c\/div\u003e\n\u003cdiv\u003e13 Latin Lingo\u003c\/div\u003e\n\u003cdiv\u003e14 The Funny Cypress Hill Shit\u003c\/div\u003e\n\u003cdiv\u003e15 Tres Equis\u003c\/div\u003e\n\u003cdiv\u003e16 Born to Get Busy\u003c\/div\u003e","brand":"VOLCANIC VINYL","offers":[{"title":"Default Title","offer_id":47329963114796,"sku":"","price":55.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0759\/3947\/9852\/files\/CYPRESSHILL-CYPRESSHILL.jpg?v=1698551907"},{"product_id":"the-odd-czar-against-us-czarface","title":"CZARFACE - THE ODD CZAR AGAINST US","description":"\u003cp\u003e\u003cstrong\u003eCzarface\u003c\/strong\u003e, ironclad crime fighter, heroically returns to his lair after two spine-chilling adventures with\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMF Doom\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eGhotface Killah\u003c\/strong\u003e. In his secret hideout, he has whipped up a few uncanny surprises for longtime Czar fans...expect curveball concepts, solo exploits, and noggin nodding neck-snappers alike.\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cstrong\u003eThe Odd Czar Against Us\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003esees\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCzarface\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ego full Voltron, employing every asset in his arsenal, maximizing lyrical efforts from Inspectah Deck and Esoteric and pulse-pounding production from in house beatsmith 7L and Jeremy Page. This album stands to be the group’s most ambitious and challenging effort to date. Are the odds against him this time, or are they against the underworld? Tune in to find out!.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" dir=\"auto\"\u003e1. Bizarro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Call Me\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. The Gift That Keeps on...\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Me's Company\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. Dear Computer (feat. Kendra Morris)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. Burrito\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. Brother Czarquis\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. Couch\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. Double Dragon\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. The Problem with Frank \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. Dog\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12. Czartis Gilmore (The Cool Down)\u003c\/span\u003e\u003c\/p\u003e","brand":"VOLCANIC VINYL","offers":[{"title":"Default Title","offer_id":47329964163372,"sku":"","price":60.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0759\/3947\/9852\/files\/THEODDCZARAGAINSTUS-CZARFACE.jpg?v=1698552080"},{"product_id":"future-primitive-data-animal","title":"DATA ANIMAL - FUTURE PRIMITIVE","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cstrong\u003eFuture Primitive\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e is the debut album from Auckland Techno Punks, \u003c\/span\u003e\u003cstrong\u003eData Animal\u003c\/strong\u003e\u003cspan\u003e, on \u003c\/span\u003e\u003cstrong\u003eOliver Ackermann’s\u003c\/strong\u003e\u003cspan\u003e newly formed label, Dedstrange. \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eFuture Primitive\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e follows highly regarded early singles, \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eBad M.F \u0026amp; Death Racer\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e, and is a full-blown sonic weapon from the streets. Songs address the decay and breakdown of modern life and the approaching apocalyptic fall out of human behavior. Taking influence from NYC no-wave, British post-punk, and Detroit techno, \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eFuture Primitive\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e gives rock n roll a much- needed facelift. The future is simultaneously technological and primordial and \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eFuture Primitive\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e is the soundtrack to a species with no future. Mastered by \u003c\/span\u003e\u003cstrong\u003eOliver Ackermann\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e1. Bad M.F\u003c\/div\u003e\n\u003cdiv\u003e2. Ded Can Dare\u003c\/div\u003e\n\u003cdiv\u003e3. Death Racer\u003c\/div\u003e\n\u003cdiv\u003e4. Switchblade Slick\u003c\/div\u003e\n\u003cdiv\u003e5. Peking Ft. A Place To Bury Strangers\u003c\/div\u003e\n\u003cdiv\u003e6. Metal Gear Soul\u003c\/div\u003e\n\u003cdiv\u003e7. Queen Of The Cyborg Age\u003c\/div\u003e\n\u003cdiv\u003e8. Junk\u003c\/div\u003e\n\u003cdiv\u003e9. Skinny’s Bag\u003c\/div\u003e\n\u003cdiv\u003e10. Needle In the Red\u003c\/div\u003e\n\u003cdiv\u003e11. Dead Raver ( A Place To Bury Strangers Remix )\u003c\/div\u003e\n\u003cdiv\u003e12. Future Primitive\u003c\/div\u003e","brand":"VOLCANIC VINYL","offers":[{"title":"Default Title","offer_id":47329976418604,"sku":"","price":52.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0759\/3947\/9852\/files\/FUTUREPRIMITIVE-DATAANIMAL.jpg?v=1698552323"},{"product_id":"prisoner-of-love-dave-barker-meets-the-upsetters","title":"DAVE BARKER MEETS THE UPSETTERS - PRISONER OF LOVE","description":"\u003cp\u003eJust before he teamed up with keyboardist Ansel Collins, Dave Barker was just getting his start as a recording artist with singles on Treasure Isle and Studio One. In 1970, he joined Lee Perry and The Upsetters in the studio for what would make up his album debut, Prisoner Of Love. What would follow is yet another example of Lee Perry cutting some of the finest productions of his career, in the heart of his time producing rocksteady. \u003cbr\u003ePrisoner of Love came out on Trojan in 1970 and it became one of their biggest hits. Barker shines throughout with a truly stellar voice on Perry’s songs and it’s easy to see why he was considered one of the most soulful vocalists of the era. Perry himself, is in easy rocksteady mode but nicely accentuates the tracks with light muted guitar, alto, bright organs and lively pianos. Beautiful melodies, classic Perry production and a golden voice from Barker. \u003cbr\u003eBased on how nice the previous Music On Vinyl releases looked and sound, it’s an easy choice for Prisoner Of Love. Limited to 700, 180gram orange vinyl. A no brainer. (Dom)\u003c\/p\u003e","brand":"VOLCANIC VINYL","offers":[{"title":"Default Title","offer_id":47329977794860,"sku":"","price":55.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0759\/3947\/9852\/files\/PRISONEROFLOVE-DAVEBARKERMEETSTHEUPSETTERS.jpg?v=1698552391"},{"product_id":"heroes-david-bowie","title":"DAVID BOWIE - HEROES","description":"\u003cp\u003e\u003cspan\u003ePart two of the Berlin trilogy that started with \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eLow\u003c\/i\u003e\u003c\/strong\u003e\u003cspan\u003e and ended with \u003c\/span\u003e\u003ci\u003e\u003cstrong\u003eLodger\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eHeroes\u003c\/strong\u003e\u003c\/i\u003e\u003cspan\u003e saw \u003cstrong\u003eBowie\u003c\/strong\u003e trying to kick his assorted drug addictions while simultaneously attempting to create the music of the future.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAnd so, on the one hand, \u003c\/span\u003e\u003ci\u003eBeauty and the Beast\u003c\/i\u003e\u003cspan\u003e—which spawned the \u003cstrong\u003eHuman League's\u003c\/strong\u003e \u003c\/span\u003e\u003ci\u003eLove Action\u003c\/i\u003e\u003cspan\u003e and not a whole load else, really. 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Soul. Yall).\u003c\/p\u003e\n\u003cp\u003eSampling artists as diverse as Hall \u0026amp; Oates, Steely Dan and The Turtles, 3 Feet High and Rising is often viewed as the stylistic beginning of 1990s alternative hip hop (and especially jazz rap).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track-listing\"\u003e\n\u003ch3\u003eTrack Listing:\u003c\/h3\u003e\n\u003ch5\u003eSide A:\u003c\/h5\u003e\n\u003col\u003e\n\u003cli\u003eIntro\u003c\/li\u003e\n\u003cli\u003eThe Magic Number\u003c\/li\u003e\n\u003cli\u003eChange in Speak\u003c\/li\u003e\n\u003cli\u003eCool Breeze on the Rocks\u003c\/li\u003e\n\u003cli\u003eCan U Keep a Secret\u003c\/li\u003e\n\u003cli\u003eJenifa Taught Me (Derwin's Revenge)\u003c\/li\u003e\n\u003cli\u003eGhetto Thang\u003c\/li\u003e\n\u003cli\u003eTransmitting Live from Mars\u003c\/li\u003e\n\u003cli\u003eEye Know\u003c\/li\u003e\n\u003cli\u003eTake It Off\u003c\/li\u003e\n\u003cli\u003eA Little Bit of Soap\u003c\/li\u003e\n\u003cli\u003eTread Water\u003c\/li\u003e\n\u003cli\u003ePotholes in My Lawn\u003c\/li\u003e\n\u003cli\u003eSay No Go\u003c\/li\u003e\n\u003cli\u003eDo as De La Does\u003c\/li\u003e\n\u003cli\u003ePlug Tunin' (Last Chance to Comprehend)\u003c\/li\u003e\n\u003cli\u003eDe La Orgee\u003c\/li\u003e\n\u003cli\u003eBuddy (featuring Jungle Brothers and Q-Tip)\u003c\/li\u003e\n\u003cli\u003eDescription\u003c\/li\u003e\n\u003cli\u003eMe Myself and I\u003c\/li\u003e\n\u003cli\u003eThis Is a Recording 4 Living in a Fulltime Era (L.I.F.E.)\u003c\/li\u003e\n\u003cli\u003eI Can Do Anything (Delacratic)\u003c\/li\u003e\n\u003cli\u003eD.A.I.S.Y. Age\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"VOLCANIC VINYL","offers":[{"title":"Default Title","offer_id":47329983037740,"sku":"","price":70.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0759\/3947\/9852\/files\/3FEETHIGHANDRISING-DELASOUL.jpg?v=1698552684"},{"product_id":"plastic-surgery-disasters-dead-kennedys","title":"DEAD KENNEDYS - PLASTIC SURGERY DISASTERS","description":"\u003cp\u003eHaving proved themselves masters of the quick, vicious smash and bash, on their second full-length album \u003cstrong\u003ethe Kennedys\u003c\/strong\u003e continued in that vein while finding other effective ways to express their all-encompassing message of resistance and satire. Absolutely nobody is safe, whether it's the more expected targets of conservative society, or those who claim to follow what the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKennedys\u003c\/strong\u003e and punk promised but only ended up acting like idiots. For the most part, though, it's a well-deserved smackdown of all the jerks the early '80s produced, set to some fantastic music.\u003c\/p\u003e\n\u003cp\u003eBookended by random noise jams -- the first one with a wonderfully dismissive spoken-word analysis on societal programming for The Good Life - \u003cem\u003e\u003cstrong\u003ePlastic Surgery Disasters\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eshows East Bay Ray, Klaus Fluoride and D.H. Peligro turning into an even more awesome unit than before. Ray's sheet-metal intense guitar may once or twice get slammed into too much treble for its own good, but his spaghetti-western-cranked-to-ten playing is fantastic stuff at its best. The others have their moments, like Peligro's rolling drum breaks on\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e\"Trust Your Mechanic.\"\u003c\/em\u003e  When the band aims for subtlety, the results are grand - the sudden silences on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\"Trust Your Mechanic,\"\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ethe goofy hipswing start to\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\"Forest Fire.\" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eUnsurprisingly, Biafra is still at the center of it all; once again, the song titles make it clear what's at play.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\"Terminal Preppie,\"\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003erips into an example of the type with gusto, and the wonderfully sneering\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\"Winnebago Warrior\"\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis just the tip of the iceberg. 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The alternative and conscious rap music of the early-to-mid-90s had all but faded into the underground. The scene was set for a comeback, perhaps as a backlash to the perceived violence and misogyny of gangsta rap's content. Leading the resurgence of alternative hip-hop were groups like\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJurassic 5,\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand recent signees to Capitol Records; a West coast trio that had been building steam underground since the early 90s called\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDilated Peoples.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAnticipation was high for the release of the debut album from\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eEvidence, Rakaa,\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDJ Babu\u003c\/strong\u003e. When\u003cem\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eThe Platform\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003earrived in May of 2000 it was met with critical and underground acclaim, as well as affording\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDilated Peoples\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003etheir first Billboard chartings. It featured a back-to-basics sound with a heavy debt to the old-school hip-hop ethos, the kind of sound that harkened back to the early days of legends like\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDe La Soul\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u0026amp;\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eA Tribe Called Quest.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eHits like\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eNo Retreat\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eThe Platform\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewere bolstered by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eEvidence\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u0026amp;\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRakaa's\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003esubtle, abstract wit, and swift, adroit wordplay, while\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDJ Babu\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eprovided production chops and dextrous scratches.\u003cbr\u003e\u003cbr\u003eOn\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eThe Platform\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ethe trio were joined by the likes of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eB-Real, Tha Alkoholiks, Everlast, Planet Asia\u003c\/strong\u003e, and many more providing guest vocals, while boasting guest production from\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eThe Alchemist\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u0026amp;\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKut Masta Kurt\u003c\/strong\u003e, among others.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. So May I Introduce To You\u003cbr\u003e2. The Platform\u003cbr\u003e3. No Retreat\u003cbr\u003e4. Guaranteed\u003cbr\u003e5. Right On\u003cbr\u003e6. The Main Event\u003cbr\u003e7. Service\u003cbr\u003e8. Ear Drums Pop\u003cbr\u003e9. Years In The Making\u003cbr\u003e10. Annihilation\u003cbr\u003e11. Expanding Man\u003cbr\u003e12. The Last Line Of Defense\u003cbr\u003e13. Triple Optics\u003cbr\u003e14. The Shape Of Things To Come\u003cbr\u003e15. Work The Angles\u003cbr\u003e16. 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